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Babes in Toyland Beef Vs Nivana

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American rock musician (born 1963)

Kat Bjelland
Bjelland in 2015

Bjelland in 2015
Background information
Birth proper noun Katherine Lynn Bjelland
Born (1963-12-09) December 9, 1963 (age 58)
Salem, Oregon, U.S.
Genres
  • Alternative rock
  • punk rock
  • racket rock[ane]
Occupation(south)
  • Musician
  • vocaliser
  • songwriter
Instruments
  • Vocals
  • guitar
Years agile 1982–2017
Labels
  • Doomedelic
  • Treehouse
  • Twin Tone
  • Southern
  • Reprise
  • Sympathy for the Record Industry
  • Integrity
  • Rish

Musical artist

Katherine Lynne Bjelland [2] (born December 9, 1963) is an American musician. She rose to prominence as the lead vocalizer, guitarist, and songwriter of the alternative rock band Babes in Toyland, which she formed in Minneapolis, Minnesota, in 1987. She has been noted for her unusual vocal mode alternately consisting of shrill screams, whispering, and speaking in tongues, equally well every bit for her guitar playing style, which incorporates "jagged" tones with "psychotic rockabilly rhythms".[3]

Born in Salem, Oregon, Bjelland was raised in nearby Woodburn, and learned to play guitar equally a teenager from her uncle, with whom she performed in his band shortly after graduating high school. Upon dropping out of the Academy of Oregon at age xix, Bjelland relocated to Portland, where she became involved in the city'south punk rock scene. At that place, she became friends with Courtney Dear, and formed the band Heathen Babies.

After the dissolution of Infidel Babies in 1985, Bjelland relocated to Minneapolis, where she formed Babes in Toyland with drummer Lori Barbero. The band'due south debut tape, Spanking Auto, was released in 1990, afterward which they toured Europe with Sonic Youth. This was followed by their second album, Fontanelle (1992). The band would release their third studio album, Nemesisters, in 1995. In the mid-late 1990s, Bjelland collaborated on other musical projects, including contributing equally a bassist in the band Crunt with her then-husband, Australian musician Stuart Grey.

Babes in Toyland formally disbanded in 2001, and Bjelland began working with Katastrophy Wife, a projection under which she released the albums Amusia (2001) and All Kneel (2004). She remained out of the public calorie-free for several years before publicly revealing in 2007 that she had been diagnosed with schizoaffective disorder. In 2015, she reunited with Babes in Toyland and began touring internationally for the first fourth dimension in over a decade. Bjelland afterwards retired in 2017.

Biography [edit]

1963–1981: Early life [edit]

Bjelland's yearbook photo, 1981

Katherine Lynne Bjelland was built-in on Dec 9, 1963,[iv] in Salem, Oregon, to Lynne Irene Bjelland (née Higginbotham).[5] She is of English language and German descent.[6] Bjelland was raised by her mother and stepfather, Lyle Bjelland, until age 3, when her mother separated from her stepfather and gave him full custody, after which he raised her as his own.[half-dozen] [7] She was not made aware of her biological begetter until age 18, and did not meet him until age 23.[6] "[It] was weird", Bjelland recalled of the revelation. "I was like, 'Huh? I take a unlike dad? I'm non Norwegian?!'"[6]

Bjelland was raised in Woodburn, a small town north of Salem, which she described equally "predominantly Orthodox Russians and Hispanics, then existence white [was] more similar being a minority... We lived at the edge of town, so there was consummate wilderness behind united states."[8] Bjelland's stepfather subsequently remarried, afterward which she claimed to have been physically and verbally abused by his wife.[9] [ten] "Yous know, I actually hate to talk nigh information technology considering she's great now, but in my childhood she was very abusive", Bjelland said. "It probably did assistance my creativity a lot [though]. I was always grounded. I hate to talk near information technology because I feel like she doesn't think that she did it, merely she was [abusive] and information technology influenced my life quite a smashing deal."[10]

Bjelland became interested in music equally a young child, and began listening to rock and roll records.[2] As an adolescent, she became enamored with Rush, and attended four of their concerts.[8] She as well cited Kiss, Cheap Trick, The B-52's, the Plasmatics, and Captain Beefheart among her favorite artists while growing upwardly.[viii] Her uncle, David Higginbotham, taught Bjelland to play guitar in her youth. Her starting time operation was at a minor bar in Woodburn called Flight 99, playing with her uncle in a band called The Neurotics.[two] [xi] [12]

She attended Woodburn High Schoolhouse, where she played on the school basketball team and was a cheerleader.[13] [14] Afterward graduating from high schoolhouse in 1982, Bjelland briefly enrolled at the Academy of Oregon, simply dropped out afterward her freshman year and relocated to Portland at historic period nineteen.[15] During this time, Bjelland worked every bit a stripper to support herself.[15] She became introduced to punk music later on attending a Wipers concert in Portland: "I didn't know about punk rock that much", she recalled. "I was from a pocket-size town. All of a sudden I was like, 'What the fuck is this?'".[xvi]

1982–1986: Early musical projects [edit]

At age xix, Bjelland purchased her first guitar, a Rickenbacker 425, from a pawn store for $200.[13] In Woodburn, she joined The Neurotics, and then an all-female band called The Venarays, which Bjelland has described every bit "stone with a '60s edge". The Neurotics were equanimous of Bjelland (rhythm guitar); her uncle David Higginbotham (lead guitar); Marty Wyman (vocals); Brian McMillan (drums); and Laura Robertson (bass).[2] Commenting on the band, she said: "Afterwards The Neurotics I got this band together with my best friends, so information technology was an all-daughter band. We were called The Venarays. The name came from the [Latin] word venary which ways "actively hunting out sexual practice"! We began equally a mode of having fun with each other."[17] The band, still, was not exclusively female, every bit drummer Dave Hummel, and later, Jack Rhodes, were men. The band name bears similarity to Vena Ray, a character from the early 1950s program Rocky Jones, Space Ranger.

After quitting The Venarays, Bjelland met Courtney Love in 1984 at the Satyricon, a Portland nightclub, and the 2 started a band chosen Sugar Babydoll.[xviii] They relocated to San Francisco in 1985, afterwards which they were joined in the group by drummer Suzanne Ramsey,[19] and bassist Jennifer Finch.[20] [21] Bjelland recalled: "We went through a few names, and we only played a couple of shows. It was the smallest matter I've e'er done musically."[22] The group was inspired by Frightwig, an all-female ring from the San Francisco Bay area.[13] After Finch left the grouping, they renamed themselves the Heathen Babies and introduced Deirdre Schletter and Janis Tanaka, releasing a four-rails demo in Dec 1985 before disbanding. Love went on to form the band Hole in 1989, while Finch would be part of L7.[23]

1987–2001: Babes in Toyland [edit]

Hoping to class a new band, Bjelland relocated from Portland to Minneapolis around 1986, and before long after met Lori Barbero, a bartender, at a barbecue.[13] She convinced Barbero to play in her band as a drummer, despite the fact that Barbero had no musical grooming.[24] Barbero agreed, and the pair joined with bassist Michelle Leon, forming Babes in Toyland. Bjelland has said she intentionally sought out bandmates who had no instrumental feel: "Lori didn't know how to play when I met her. Michelle didn't know how to play. I was self-taught. Hopefully, from being technically inexperienced, you can utilize your imagination, and play the drums like an instrument instead of but being a shell-keeper. And play the bass like you experience it, from your gut, instead of saying, 'Hither'southward my scales.'"[2]

Bjelland performing with Babes in Toyland in Groningen, Netherlands, 1991

The band recorded their showtime extended play, To Mother, in London in 1990, titled in honor of Bjelland'south mother, whom she had discovered died of pancreatic cancer on the get-go day of the recording sessions.[25] After signing to Reprise Records in 1991,[26] Babes in Toyland's debut single, "Dust Cake Boy" b/w "Spit to Meet the Shine" was well-received. After touring Europe with Sonic Youth, the band recorded their debut album Spanking Machine, which also was well- received, and was compared to the music of The Altogether Party and New York Dolls.[ix] The group would become misidentified as part of the riot grrrl movement, though Bjelland has denied having anything to exercise with the movement. As she said in a 1992 interview: "I don't experience helpless or anything. I don't feel like I have to be like, "I'thousand a female person and I can do this if I want to", cause, of course I can. I already know that, and I never felt existence female person hurt anything. If anything, it helped."[10]

Bjelland in Minneapolis, 1992

In 1991, the band toured in Europe with Sonic Youth, which was documented in the pic 1991: The Year Punk Broke.[27] Following this, Babes in Toyland peaked in commercial success when they performed on a portion of the Lollapalooza bout in 1993,[28] and released their second album, Fontanelle (1992), which sold over 250,000 copies.[29] In 1994, the ring was featured on the covers of Entertainment Weekly and USA Today.[xxx] At the summit of the band's fame, Bjelland and her erstwhile bandmate Courtney Love were often pitted against one another as rivals in media, with frequent comparisons between the two's visual appearances.[31] According to Bjelland, the ii had a falling out after Bjelland told a reporter: "Only about a quarter of what Courtney says is true. Only nobody usually bothers to decipher which are the lies. She's all virtually image."[32] Babes in Toyland'southward original bassist, Leon, claimed the rivalry between Honey and Bjelland was "blown totally out of proportion", while Bjelland added in a 2011 interview: "The media did that, and it was actually hurtful to me for a long time. They'd say it's some kind of battle. Which it wasn't. We were friends."[31] Bjelland would later refer to Love equally her "soul sister", commenting in a 2001 interview: "I haven't spoken to Courtney for years but soul sisters don't need to. In that location will always exist a bail between us, regardless of whether we speak or not."[32]

In 1993, Bjelland moved to Seattle and began a side project called Crunt with her then-husband, Australian musician Stuart Gray (also known as Stu Spasm) whom she married in 1992.[33] Bjelland played bass and Grey guitar, while Russell Simins of Jon Spencer Blues Explosion was the drummer.[34] In Feb 1994, the band released a cocky-titled debut, forth with its starting time single, "Swine". During this time, Bjelland too co-wrote the rail "I Recall That I Would Dice" on Pigsty's breakthrough album Live Through This (1994) with Courtney Love and guitarist Eric Erlandson.[35] Bjelland suffered a nervous breakup later on the suicide of Kurt Cobain in 1994: "[I was in Seattle afterwards he died] to hang out with Courtney and support her", she recalled. "In the funeral home, I saw him dead, which was more disturbing...  I had a nervous breakdown right after that."[36] Bjelland had herself been using heroin regularly at the time, though she denied using it regularly while touring.[37] "Let me brand this clear: I never actually did heroin on bout", she said in 2011.[37] "When I came dwelling house and was bored and depressed [and] with money, yeah, that'south when I would practise information technology."[37] To kick her habit prior to going on tours, Bjelland would rampage drink through withdrawal symptoms.[38]

In January 1995, Bjelland and Gray divorced later on two years of matrimony,[v] and Crunt disbanded.[39] Bjelland turned her focus dorsum to Babes in Toyland, and the grouping released their third and final full-length anthology, Nemesisters in 1995. After this, she moved to Brooklyn, New York,[11] and contributed to the 1997 anthology Songs of the Witchblade: A Soundtrack to the Comic Book, for the Top Cow's comics of the same name. She composed, played and produced nigh of songs, with many rock and metal artists similar Megadeth or Peter Steele (Blazon O Negative), and also collaborated with a freeform musical project called Last Frenzy in England.[xl] Around 1999, Bjelland gave nascence to a son, Henry, with her former married man, drummer Glen Mattson.[xl] Babes in Toyland maintained a loyal following throughout the rest of the decade, and in November 2001, played a farewell show in Minneapolis.[41]

2002–2014: Katastrophy Wife and mental wellness issues [edit]

With Babes in Toyland only performing sporadically in the late 1990s, Bjelland started the band Katastrophy Wife in 1998 as a side project with her and then-hubby, drummer Glen Mattson.[42] The ring toured at venues, such equally Ladyfest, worldwide, and released two albums, Amusia (2001) and All Kneel (2004). Tom Edwards of Drowned in Sound gave All Kneel a favorable review, ranking it among Bjelland'due south best work.[43]

In 2002, after the dissolution of Babes in Toyland, Bjelland produced and contributed guest vocals on the anthology The Vii Year Crawling for the band Angelica.[44] Later on that band's ain dissolution, Bjelland hired the drummer and bassist for an impending European tour.[45] The new ring was billed equally Babes in Toyland, which resulted in Barbero threatening a lawsuit, and Bjelland ultimately scrapping the proper noun.[45] Bjelland later claimed that Kurt Pagan-Davies, a director with whom she was working during this time, had been partly responsible for the conclusion to tour under the Babes in Toyland name, which he denied.[45] She subsequently accused him of stealing money that belonged to her from the publishing of Katastrophy Wife's albums Amusia and All Kneel.[45]

In 2006, on the official Katastrophy Wife website, Bjelland wrote that "Katastrophy Married woman have had a few incarnations but from here on I will only re-incarnate my self".[46] In April 2007, the band released the unmarried "Heart On", on the Australian record label Rish.[47] The single was intended equally a trailer for a forthcoming anthology, Pregnant, although as of 2020 the album has not been released. Katastrophy Wife's vinyl debut was on an Contained label compilation called The Tundra Sessions, featuring product by Tim Mac.[48]

In 2007, Bjelland revealed she had been diagnosed with schizoaffective disorder[49] and had been institutionalized for a period.[xvi] [50] She commented on the event, saying: "I don't know how I've progressed musically as such but a major influence in my writing was dealing with my whole schizophrenia episode. I actually haven't spoken to anyone much virtually this. Dealing with multiple personalities was extremely difficult considering some days I didn't know who I was or where I was at. I was very lucky that Adrian (Johnson, her partner and director) stuck by and helped me through it all. So obviously that was going to affect some of what I wrote nigh."[48]

2015–2020: Babes in Toyland reunion and breakup [edit]

In 2014, Bjelland reunited with former bandmates Maureen Herman and Lori Barbero and began rehearsing to perform alive shows.[51] "People would evidence me on the Cyberspace all these young fans who wanted to run across us, and I felt kind of obligated to play", said Bjelland. "You see people with their moms and fifty-fifty grandmothers coming to the shows together. It's super absurd. I'g just surprised at how much people notwithstanding like it."[50] In Feb 2015, the ring played their first live evidence together in xiv years in Joshua Tree, California, and performed additional shows on an international tour throughout 2015.[50] [sixteen] Bjelland commented that she intended to write new textile, only that it would be concerned with "less acrimony about people. Now information technology's virtually things that are going on in the earth. I've got a whole plethora of songs gear up to get."[50]

Babes in Toyland later broke up in 2020. They played their last show in 2017.

Musical style [edit]

Influences [edit]

As a child, Bjelland's favorite band was Blitz, peculiarly their fourth anthology 2112.[8] "It was kind of a ring that girls didn't like, just guys liked them... I liked them because they had weird, spacey other-land lyrics, and lots of breaks, and really cool instrumentation", she said.[eight] Equally an adolescent, she also listened to popular stone bands such as Kiss and Cheap Trick.[viii] She would later credit Cocteau Twins, The Phenomenon Workers, and the Wipers equally early influences,[xi] and as well said she listened to Billie Vacation as a teenager.[14] As an developed, Bjelland named Captain Beefheart, Charles Mingus, Leonard Cohen, Frightwig, Girlschool, Motörhead,[sixteen] and other '70s bands every bit important to her.[eleven] [52]

Voice and instrumentation [edit]

Bjelland (right) learned to play guitar from her uncle, David Higginbotham (centre), a local musician in Kat's hometown of Woodburn, Oregon[2]

Bjelland has been noted by music critics for her unique screaming vocals,[two] which accept been likened to those of Ozzy Osbourne and Diamanda Galás.[53] Journalist Richard Cromelin noted in a 1992 Los Angeles Times profile that "She retches her enraged lyrics, her screams skid beyond the beat and collide with the edgeless riffs. Her voice erupts into laughs and gargles, then croons down low with eerie detachment."[54] She has also incorporated speaking in tongues in several songs.[28]

Commenting on her musical aspirations, Bjelland said: "It should sound like nothing that you've heard earlier. That'due south my intention... Like my singing, all I try to do is I just push myself into things where I recall I can't reach notes and stuff. Sometimes it sounds really ridiculous, but then yous merely kind of work on it."[54] A 2015 concert review described her voice as one so powerful that information technology "tin strip the chrome off a bumper".[55]

In Babes in Toyland, Bjelland's instrumentation and songwriting has been described as "ugly, crunching postal service-punk" supplemented past "rudimentary" guitar chords.[2] She learned to play guitar from her uncle, David Higgenbotham, with whom she played in his band, The Neurotics, prior to forming Babes in Toyland.[11] [12] Commenting on her guitar playing, Bjelland said: "I recollect it'south not the quantity but the quality, and I don't remember it's the speed you play, information technology's the soul that comes out."[8] In an interview with John Skin, she revealed that she had never played with an furnishings pedal until 1993: "If you learn how to play without furnishings, you have to learn how to make your guitar speak instead of the electronics."[viii]

Discography [edit]

Babes in Toyland

  • Spanking Machine (1990)
  • Fontanelle (1992)
  • Nemesisters (1995)

Crunt

  • Crunt (1994)

Katastrophy Wife

  • Amusia (2001)
  • All Kneel (2004)

References [edit]

  1. ^ Earles 2014, p. 22.
  2. ^ a b c d east f g h Schoemer, Karen (March 27, 1992). "Pop/Jazz; Post-Punk Malaise of Babes in Toyland". The New York Times. Archived from the original on December 7, 2010. Retrieved Nov 4, 2017. closed access
  3. ^ Karlen 1994, p. 11.
  4. ^ Larkin 2000, p. 28.
  5. ^ a b Escamilla 1996, p. seven.
  6. ^ a b c d Evans 1994, p. 62.
  7. ^ Karlen 1994, p. ii.
  8. ^ a b c d e f yard h Bjelland, Kat (August 28, 1993). "Kat Bjelland interview" (Interview). Interviewed by John Skin. BBC Radio Ane. Archived from the original on December 21, 2021.
  9. ^ a b True, Everett (September 22, 1990). "Spanks for the memory". Tune Maker. ISSN 0025-9012. Archived from the original on December 7, 2018. Retrieved Dec 7, 2018.
  10. ^ a b c Rose, Lisa Apriam (dir.) (1995). Keen for a Girl (VHS). Horizon Unlimited.
  11. ^ a b c d eastward Swensson, Karen (March x, 2013). "Babes in Toyland". The Current. Minnesota Public Radio. Archived from the original on December v, 2018.
  12. ^ a b Lore, Mark (September 2, 2015). "Return to Toyland". Portland Mercury . Retrieved November 4, 2017.
  13. ^ a b c d Ogg 2000, p. 2.
  14. ^ a b Gaar 2002, p. 388.
  15. ^ a b Gaar 2002, p. 389.
  16. ^ a b c d Woodward, Alex (Oct 27, 2015). "Interview: Babes in Toyland's Kat Bjelland on the ring's 2nd coming". Gambit. Archived from the original on Jan 5, 2017. Retrieved May 11, 2018.
  17. ^ Evans 1994, p. 64.
  18. ^ St. Thomas & Smith 2004, p. 97.
  19. ^ Baldwin 2004, p. 97.
  20. ^ Brite 1998, p. 79.
  21. ^ Newspaper Staff (September 24, 2014). "The xv Grungiest Grunge Artists: A Ability Ranking". Paper. New York Urban center. Archived from the original on December 21, 2016.
  22. ^ Evans 1994, p. 66.
  23. ^ Bjelland, Kat et al. (October five, 2003). "Courtney Love". E! True Hollywood Story. Season 7. Episode 32. Due east! Networks.
  24. ^ Ogg 2000, pp. 2–iii.
  25. ^ Leon 2016, p. 110.
  26. ^ Gaar 2002, p. 390.
  27. ^ Harvey, Dennis (December ii, 1992). "1991: The Year Punk Bankrupt". Variety . Retrieved May 10, 2018.
  28. ^ a b Andrews, Charlotte Richardson (Feb three, 2015). "Cult heroes: Babes in Toyland'due south Kat Bjelland – overlooked 90s punk powerhouse". The Guardian.
  29. ^ Earles 2014, p. 23.
  30. ^ Karlen, Neal (August 28, 1994). "The Render of the Punk Girl Native". The New York Times.
  31. ^ a b Yarm 2011, p. 353.
  32. ^ a b Miles, Lucy (2001). "WHY KAT'S WILD Nigh BRUM; Courtney Love'due south soul sister is cooling downwards". Birmingham Post & Mail. Birmingham, England. Retrieved May 9, 2018 – via The Costless Library. icon of an open green padlock
  33. ^ Evans 1994, p. 73.
  34. ^ "Interview with Crunt". Maximumrocknroll (127): 50–51. 1993.
  35. ^ Liner notes of Live Through This (1994) by Geffen Records/DGC.
  36. ^ Yarm 2011, p. 459.
  37. ^ a b c Yarm 2011, p. 424.
  38. ^ Yarm 2011, pp. 424–25.
  39. ^ "Crunt – Music Biography". AllMusic . Retrieved July 22, 2012.
  40. ^ a b Vettese, John (October 22, 2015). "Babes in Toyland Rides Again: The 90s punk icons' road to reunion". The Primal. Philadelphia, Pennsylvania: WXPN. Archived from the original on June 17, 2017. Retrieved May 11, 2018.
  41. ^ Fonarow, Wendy (February 13, 2015). "Babes in Toyland Render as Ferocious equally Ever at L.A. Comeback Show". Rolling Stone. Penske Media Corporation. Archived from the original on December 7, 2018.
  42. ^ "Katastrophy Wife Biography". Drowned in Sound. Archived from the original on March 24, 2016. Retrieved Dec thirty, 2017.
  43. ^ Edwards, Tom (May 30, 2004). "Album Review: Katastrophy Married woman: All Kneel". Drowned in Sound. Archived from the original on May 11, 2018. Retrieved May 11, 2018.
  44. ^ "The 7 Year Itch - Angelica - Credits". AllMusic . Retrieved May xi, 2018.
  45. ^ a b c d Riemenschneider, Chris (August x, 2007). "Katastrophy [nonetheless] in the making". Star Tribune. Minneapolis, Minnesota. pp. i, 4 – via Newspapers.com. open access
  46. ^ "Ordeals and Schpiels of the Catastrophe Wife". Katastrophywife.com. Archived from the original on June eighteen, 2006. Retrieved May 10, 2007.
  47. ^ Katastrophy Wife (2007). Heart On (CD unmarried). Rish Records. RiSHV01.
  48. ^ a b Bann, Chantel (May three, 2007). "Katastrophy Wife'southward KatBjelland gets her Heart-On". FasterLouder.co.au. Archived from the original on October ten, 2017.
  49. ^ Yarm, Mark (Nov 18, 2014). "Babes in Toyland Reunite, With a Fiddling Help From a Tech LLC". Rolling Stone. Penske Media Corporation. Archived from the original on December 20, 2014.
  50. ^ a b c d Graves, Seth (October 29, 2015). "The alt-stone reunion boom brings Babes in Toyland to Nashville". Nashville Scene. Nashville, Tennessee. Archived from the original on December 7, 2018. Retrieved May xi, 2018.
  51. ^ Hkam, Hso (Feb 10, 2015). "Babes in Toyland Reunite 18 Years Later: Can They Have U.s. By Storm Once again?". LA Weekly. Los Angeles, California. Archived from the original on November 7, 2017.
  52. ^ Mundy, Chris (May xviii, 1995). "Q&A: Kat Bjelland of Babes in Toyland". Rolling Stone. Penske Media Corporation. Archived from the original on February half-dozen, 2018.
  53. ^ Thompson, Ben (September 26, 1992). "Grace'south grisly grunt and grind testify". The Independent. London: Independent Print Limited.
  54. ^ a b Cromelin, Richard (November 25, 1992). "Year of the Kat : Kat Bjelland's penchant for purging her emotions brings Babes in Toyland to the brink of alternative rock distinction". Los Angeles Times. Archived from the original on May 14, 2016.
  55. ^ Reader staff (September 13, 2015). "Day ii of Riot Fest: Bootsy Collins, conflicting jizz, and senior citizens kicking everyone's asses". Chicago Reader. Archived from the original on June 30, 2018.

Sources [edit]

  • Baldwin, Michelle (2004). Burlesque and the New Bump-n-grind. Denver, Colorado: Speck Press. ISBN978-0-972-57762-5. OCLC 711855821.
  • Brite, Poppy Z. (1998). Courtney Love: The Existent Story. New York: Simon & Schuster. ISBN978-0-684-84800-half dozen. OCLC 37392936.
  • Earles, Andrew (2014). Gimme Indie Rock. Minneapolis, Minnesota: Voyageur Press. ISBN978-i-627-88379-v. OCLC 891651577.
  • Escamilla, Brian (1996). Contemporary Musicians . Gale Research, Inc. ISBN978-0-810-39317-2. OCLC 704003291.
  • Evans, Liz (1994). Women, Sexual activity and Stone'northward'ringlet: In Their Own Words. London: Pandora. ISBN978-0-044-40900-7. OCLC 494693178.
  • Gaar, Gillian Thousand. (2002) [1992]. She's a Rebel: The History of Women in Stone and Roll (2nd ed.). New York: Seal Press. ISBN978-1-580-05078-4. OCLC 495287089.
  • Karlen, Neil (1994). Babes in Toyland: The Making and Selling of a Stone and Roll Band. New York: Times Books. ISBN978-0-812-92058-one. OCLC 936867546.
  • Larkin, Colin (2000). The Virgin Encyclopedia of Nineties Music. London: Virgin Books. ISBN978-0-753-50427-7. OCLC 237407497.
  • Leon, Michelle (2016). I Live Within: Memoirs of a Babe in Toyland. Minneapolis, Minnesota: Minnesota Historical Social club. ISBN978-0-873-51999-one. OCLC 922220168.
  • Ogg, Alex (2000). Natural Infant Killers (CD liner notes). Babes in Toyland. Great britain: Snapper Music. OCLC 45369341.
  • St. Thomas, Kurt; Smith, Troy (2004). Nirvana: The Called Rejects. New York: St. Martin's Griffin. ISBN978-0-312-20663-5. OCLC 41368230.
  • Yarm, Marker (2011). Everybody Loves Our Town: An Oral History of Grunge. New York: Three Rivers Printing. ISBN978-0-307-46444-6. OCLC 935232799.

External links [edit]

  • Kat Bjelland at AllMusic
  • Kat Bjelland at IMDb
  • Works by or about Kat Bjelland in libraries (WorldCat catalog)

smithsnew1954.blogspot.com

Source: https://en.wikipedia.org/wiki/Kat_Bjelland

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